Tuesday, March 8, 2011

Lighting Notes

Let Me Rephrase That...
Full stage, generally warm and fairly bright.
After 2nd reset (to corner), focus down/fade a bit
slow fade as they exit

First Sky
1. Side light on Chelsea--not group
no hard edges to corridor of light
2. As music starts, side light up on group
3. Running--starts to brighten. Coolish colors, but with warm coming through--early morning look
4. Shape clump has a different feeling--a little less whole stage, more isolated SR
5. Wedge through Jessi's fall needs something darker in tone (but not level), more complex and textured.
6. Fairly dim during launching, even with Kristen pulling away--maybe brighter SL where she's going?

On the Tip of Her Tongue
If possible--different colors for Allison and me. A clearly defined corridor for Allison that faces to a dim special/side light when she's in DR corner. She should be visible, but not fully lit. Clothesline is faintly lit (side light) until more general lights come up when music begins.
Cooler on Allison, warmer on me.
Lighting creates a boundary between us--signals we're in separate worlds.

Gather
I. Special DR corner for Abby and Jesse
Special goes out, sidelights or more general lights begin to fade up--we see Ally
(Warm colors, fairly bright, clear, not too complex)
Lots of side light thru 1st section
When Jesse enters, more of general coverage, fading down a bit as we follow Melanie--soft special DL corner.

II. More complex (richer?) palette for large group, but full stage.
A little dreamy, dusky? Like sunlight through dust/water?

III. Darker in tone as group leaves Brianna on stage.
Dim in UL corner
A different feel that II.

When group congregates DR, soft special/isolated quadrant, stay on for Erin's solo.

Full stage, warm, for sixes.
Last look: special DR for Lauren, side light elsewhere, but fairly dim.

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